![]() ![]() It says that a group of people with a strong view about the world can take a work of art and frame it and transform it in a way that makes the adaptation one not of the original work of art but about the original work of art. ![]() Edgar sees three avenues of success in his production: “First, it looks at adaptations in a new way. This is a play that takes the social consciousness of the original Dickens novel to new dimensions, where audiences can be reminded of the need for social reform, as well as uplifted by the play’s message. Edgar found himself identifying more and more with the Dickensian spirit of being “generously angry” as he worked on Nicholas Nickleby. When it appeared on the London stage in 1980, David Edgar’s Nicholas Nickleby became the longest play ever produced, and when it moved to a lavish production in New York for the eight-and-one-half hour theater endurance test (viewed either in one marathon sitting or in two long evenings), it boasted the most expensive theatre ticket price ever set, at $100 each. The Life and Adventures of Nicholas Nickleby ![]()
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